John Milton (1608–1674)
After the third edition of 1678, no new edition of Paradise Lost was printed for a decade. In 1683, the bookseller Jacob Tonson obtained from Samuel Simmons a half-share in the rights to Paradise Lost, securing full ownership seven years later, upon which this edition was printed. Tonson did much to enhance and cement the status of Milton’s poem by publishing it in a series of monumentalising folio editions. This lavish fourth edition of 1688 was the first to contain illustrations, which are the work of at least three individual artists, including John Baptist de Medina and Bernard Lens. A selection of its plates can be seen in the case ‘Illustrating Paradise Lost’ (nos. 45 & 46).
[A note from Professor Stephen Zwicker, Department of English, Washington University, St Louis, October 2021: below the frontispiece portrait of Milton shown here is an apparently "anonymous" verse; and the engraver of the portrait/verse is not named. In fact, the engraver was Robert White, and the writer of the verse below the portrait John Dryden, who had a 'long-standing engagement with this poem, having adapted it as a rhyming opera that he called The State of Innocence (1674)']